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| STUDY
QUESTIONS: FOR GREEK TEXTS |
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Study
Questions 
Epic
& Didactic
Tragedy
Comedy
The
Iliad
General Questions
- What
do the Homeric poems tell us about life in the Dark Ages in Greece?
How is this reconciled with the fact that scholars date the appearance
of these works to the period around 750 BCE?
- Why do you think
some scholars use the term "Homeric poems" rather than "Homer's poems"?
- What are the traditions
surrounding Homer? What definite information did the Greeks have about
him? What definite information do we have about him? Be specific and
detailed and do not forget to discuss the contributions of Parry and
Lord to our understanding of Homer and his process of composition.
- What is the "epic
cycle"?
- What is the importance
of reciprocity in the society described in the Homeric poems?
- What is xenia?
What social functions did it play in the society portrayed in the Iliad?
What function does it play in the plot of the Iliad? What is
the significance of the meeting of Glaukus and Diomedes in book 6?
- What are the characteristics
of the epic simile? Consider, in particular, the similes in book 4;
what, for example, is the significance of the two similes that describe
the wounding of Menelaus? Also consider the epithets used in the opening
books of the Iliad. What are the implications of the formulaic
nature of the epithets?
The Proem
- What does the poet
say about the rest of the epic in the first seven lines? To what extent
are his predictions fulfilled? What is the "Will of Zeus"? (Book 1,
line 5)
- What is the significance
of the appeal to the Muse at the beginning? Parallels?
- What is the significance
of the first word of the poem? How is this reflected in other epics?
Books 1-6:
- How many major
characters have been introduced at the end of Book 1? What do we know
about them? How does Homer go about introducing them and describing
them? Consider especially Agamemnon, Odysseus, Nestor, Menelaus and
Achilles. What issues does each introduce? Also consider how the different
responses to Agamemnon's harangues in book 4 help to characterize the
various heroes?
- Is the portrayal
of Apollo in Book I characteristic or eccentric? How is his role as
a god of prophecy important to the story? How are his prophets treated?
What is Apollo associated with besides prophecy?
- What issues are
at stake in the quarrel? How important is timê? Is the situation salvagable
or does it reflect a structure that is essentially problematic?
- How would you characterize
the relationship between Achilles and Thetis? between Thetis and Zeus?
between Zeus and the rest the gods? How do Achilles and Thetis understand
the significance of his fate to die young? Are their visions compatible?
- Who is Thersites?
What does he represent? What is the significance of his speech? Are
we meant to agree with him or not?
- What non-Iliadic
stories are mentioned in the Catalogue of Ships? What is strange about
the passage describing Athens? What signs of revision can be seen in
the catalogue? Why does the poet include it?
- What is Homer's
attitude toward Helen, Paris, Aphrodite and the origin of the war? Does
Homer take sides in the conflict?
- How does Homer
characterize the major figures of Troy-Hektor, Paris, Priam, Andromache,
Helen and Hekuba in books 3 and 6? What ramifications for the story
as a whole do you get from Paris' advice to Hektor not to make light
of the gifts of the gods, even unwarlike gifts like those of Aphrodite?
How does Homer make the Trojans sympathetic? What is the significance
of Helen's tapestry? of Hektor's visit with her, his mother and his
wife in book 6? Remember that this is his final visit to Troy and that
these same three women will mourn his corpse in Book 24?
- How is the decision-making
at the beginning of the book characteristic of the way the gods interact
elsewhere in the poem?
- How do the different
responses to Agamemnon's harangues help to characterize the various
heroes?
- What are the significant
features of an aristeia? Who else has them? What aspects of Diomedes'
in book 5 are significant? How is it that Diomedes is able to battle
against the gods? What is significant about the identities of the gods
against whom he fights? How does his aristeia help us understand the
role of Achilles among the Greeks?
Books 7-12:
- Note the humanity
of Hector's proposal before the duel with Ajax. What changes does this
attitude undergo in the course of the poem?
- Zeus's threat to
the other gods obviously reveals a contentious dimension to the picture
of divine harmony seen elsewhere. What is the relationship between these
two portrayals? Are they two more or less incompatible aspects of the
oral tradition, or two essentially compatible ones?
- Why is Patroklos'
death foretold in Book 8, lines 470ff? What effect does this knowledge
have on the events of Book 9?
- How is Agamemnon's
behavior at the beginning of book 9 in keeping with the way Homer represents
him in the poem as a whole? What is the substance of Agamemnon's offer
to Achilles? What does he ask for in exchange?
- Who is Phoenix?
What is his role in the embassy to Achilleus? What is the significance
of the Meleager story that Phoenix tells? What is Achilles' response?
- Compare the Achilles
we met in Book1 with the Achilleus of Book 9. What is Achilles doing
when the embassy arrives and what is its significance? Has Achilles
changed between the events in Book 1 and those in Book 9? Is it only
his anger at Agamemnon that troubles him? What is the progression of
threats Achilles makes to Odysseus, Phoenix and Ajax?
- It has been objected
that Book 10 has nothing to do with the plot of the Iliad and it does
not belong to the original poem. Do you agree? In the light of oral-formulaic
theory, terms like "original Iliad" have been recognized as extremely
problematic, if not meaningless. In what way is the book nevertheless
unusual in the context of the Iliad?
- How does the episode
with Dolon fit in with the heroic idealogy of the Iliad? What
does it say about Odysseus?
- How does the aristeia
of Agamemnon in Book 11 affect our estimation of his character? What
is the significance of the appeal to the Muses at its beginning?
- What is significant
about Achilles' conversation with Patroclus in Book 11? What are its
consequences? What advice does Nestor have for Patroclus.
Books 13-18:
- By this time we
have seen almost as much of the gods as of the mortals. To what uses
does Homer put the gods in this poem? Is the control of gods over men
absolute? How do the gods deal with one another? To what extent is Zeus'
control absolute?
- The dull-witted
reader may suppose that the tedious, repeated battle scenes in these
books have little point. The acute and talented reader will be able
to show that none of these battles is wasted and that each has a function
in the movement of the epic. Which are you?
- What is a simile?
How are they used in the context of the narrative by Homer? How are
they used stylistically? Are they different from the narrative? If so,
how?
- When does the idea
of the exchange of armor between Achilleus and Patroklos first come
up? How does it develop? Compare it with other exchanges of armor in
the Iliad.
Books 19-24:
- Achilles fights
Asteropaios and Hephaistos fights Scamander. What is the relationship
between the two battles? How are they anticipated?
- How long a period
of time does the Iliad embrace? How long was the war? How are the two
related to each other?
- What happens in
Book 23? What is Achilleus' role? Compare it to his earlier roles. Is
is consistent with what we have seen before?
- Why does Hektor
stand and face Achilleus? In what ways is Hektor like Patroklos? Has
Hektor changed? Did Patroklos change?
- What does Achilleus
say to Priam in Book 24? Can you find anything to parallel it in the
earlier books? What are the bases of the bond between Achilleus and
Priam? Has Achilles' character or attitude changed in the course of
the epic? How?
Hesiod's
Theogony
- How does power
change hands in the Theogony (from whom to whom)? How many stages
are there, or reigns? List the rules in sequence
- Toward what end
do all the births and marriages in the Theogony seem directed? i.e.
what is present at the final stage of the evolution which was not present
before? What are the essential differences between the cosmos before
and the cosmos after the birth of all the gods?
- How do male/female
relations evolve in the Theogony? Which gender has more power at each
stage or during each reign?
- When was mankind
created according to the Theogony?
Solon's
Poetry
Aeschylus'
Oresteia
- Why does Clytemaistra
kill Agamemnon? What are all of her reasons?
- Examine the image
of the purple carpet. What is its significance? What does it resemble
and why is it so dangerous for Agamemnon to walk across it?
- Who is Cassandra?
What is her function in the first play of the trilogy?
- How does Aeschylus
manipulate the ideas of suffering and wisdom in the trilogy?
Suggestions for extra
reading on the Oresteia:
Sophokles'
plays: Oidipous Tyrannos and Oidipous at Kolonos
- Why is Oidipous
punished?
- What are the prominent
images in the plays? Examine how these images are manipulated in the
play.
- What does the play
tell us about the relationship between men and the gods?
- How do the oracles
function in the plays?
- What happens to
Oidipous between the events depicted at the end of the OT and
those depicted at the beginning of the OK?
- Why does Oidipous
chose not to go back to Thebes when Creon comes to fetch him?
- Where do the events
of the OK take place? Why there?
Suggestions for extra
reading:
Sophokles'
Philoctetes
- What "play within
a play" appears in the Philoctetes? Who wears a "mask"? Why?
- What role does
Herakles play at the end of the tragedy? Why him?
- What are some of
the key differences between Neoptolemos and Odysseus in the play?
- Think about the
interplay between the individual and the group in this play. How does
this relate to Athenian views of the polis and society?
- Who is the protagonist
of the play?
Suggestions for extra
reading:
Euripides'
Bakkhai
- Examine the character
of Kadmos in the play? What is his function? What happens to him at
the end of the play? Why? Does he truly believe in Dionysos?
- What actions in
the play appear to refect contemporary cult practice? Should we read
the play as a description of Dionysias cult? Why? Why not?
- Why does Pentheus
object so violently to Dionysos and his worshippers?
- Who is the protagonist
of the play?
- How does Euripides
manipulate the images of the net/hunting and the snake in this play?
- What characteristics
do Pentheus and Dionysos share? How do these similarities color your
interpretation of the play?
- Does the play provoke
moral criticisms of Dionysos? Is he a cruel and vengeful god? Does he
transcend standards of human judgment? Explain.
Suggestions for extra
reading:
Aristophanes'
Frogs
- Why does Dionysos
go to Hades? What happens to him there?
- Does the Dionysos
of the Frogs compare at all to the Dionysos of the Bacchai?
- Cite some examples
of visual humor in the play.
- What does the agon
reveal about contemporary ideas about the great tragedians?
- Why does Dionysos
return with Aeschylos?
Suggestions for extra
reading:
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